[F849.Ebook] Ebook Download Sudden Death in Epilepsy: Forensic and Clinical IssuesFrom CRC Press

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Sudden Death in Epilepsy: Forensic and Clinical IssuesFrom CRC Press

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Though it is one of the most common causes of death in epilepsy patients, SUDEP is still infrequently and even reluctantly named on autopsy reports. This under-reporting equates to a lack of attention and earnest investigation into the cause, predisposition, and prevention of SUDEP. There is as yet little effort to establish an actionable strategy in the mitigation of these potentially fatal arrhythmias.

Expanding on the 1990 book Epilepsy and Sudden Death, edited by Lathers and Schraeder, Sudden Death in Epilepsy: Forensic and Clinical Issues reviews of the basic science of epilepsy as it relates to SUDEP. Clinical chapters study the sophisticated simultaneous ambulatory EKG and EEG telemetry and respiratory function monitoring of patients at risk for sudden death that will help identify cardiac, respiratory, and epileptogenic interactions involved. Chapters on animal models evaluate new data from studies that build on previously used models and emphasize that multiple models are needed to investigate the pathophysiology of SUDEP, to hypothesize about effective treatments, to develop pilot studies in persons with epilepsy, and to conduct confirmatory large-scale clinical trials.

Contributions discuss the interaction between the central and peripheral autonomic nervous systems and the cardiopulmonary systems; proposed mechanistic factors in SUDEP; risk categories of arrhythmogenic, respiratory, and hypoxia related cardiac death; psychological, emotional, and stress related factors; the role of alcohol and drugs in seizures; and the potential mitigating properties of antiepileptic medication.

Adopting a global, multidisciplinary focus to address the mystery of SUDEP, this important work provides clinicians, researchers, patients, and families with the knowledge to freely discuss the phenomenon and thereby discover the preventive treatment regimens to decrease the occurrence of SUDEP.

• Sales Rank: #2634668 in eBooks
• Published on: 2016-04-19
• Released on: 2016-04-19
• Format: Kindle eBook

Review

Lathers and colleagues have produced a colossal and astonishingly comprehensive tome on a little-appreciated subject: sudden death in epilepsy (SUDEP). All physicians who have treated patients with severe epilepsy have experienced the anguish of losing a young patient to this ill-defined syndrome. This book addresses all the issues--from the clinical to the basic, from the forensic to the bereavement. Every physician who treats epilepsy will do well to draw from the extraordinary compilation of data and expertise in this volume.
―Roger J. Porter, MD, ScD, Adjunct Professor of Neurology, University of Pennsylvania, Philadelphia and Adjunct Professor of Pharmacology, USUHS, Bethesda

The book is a skilled amalgam of neuroscience, cardiology, and pharmacology, along with numerous illustrative case examples, and it will become much thumbed-through as it takes a place of prominence on this forensic pathologist’s bookshelf.
―Gregory J. Davis, MD, FCAP, University of Kentucky College of Medicine, State Medical Examiner, Kentucky, in Et Cetera.

About the Author
Clinical Pharmacology Consultan, Albany, NY, USA Drexel University, Philadelphia, PA, USA University of Texas, Houston, TX, USA M.D., M.M. Chicago, Illinois, USA

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0 of 0 people found the following review helpful.
good but not well organized
By gamal osman
This book helped me on a paper i am working on right now. yet it needed to be more organized. There is no clear delineation between what the author mentions as forensic and clinical issues . for example risk factors are put under forensic issues. Afterall , i would recommend this book as it's the only recent book i know that thoroughly discussed this topic.

0 of 0 people found the following review helpful.
Excellent and comprehensive
By Marcus Gray
Very impressed by this textbook. Its scope is comprehensive and the content is accurate, detailed and up to date while including key findings over the past 40 years. I would highly recommend this textbook to researchers interested in Sudden Unexplained Death in Epilepsy.

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• Published on: 1709
• Binding: Paperback

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[K155.Ebook] Download Ebook Digital Design - Logic, Memory, Computers (Electrical and Electronic Engineering Design Series) (Volume 3), by Nicholas L Pappas Ph.D.

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Electrical and Electronic Engineering Design Series Volume 3

This university level Electrical Engineering text is for anyone who wants to know how to design products using digital logic circuits. The present text is unusually accessible to readers who want to acquire the skills of digital design. We present a thorough foundation so that you can proceed to learn how to design any digital system.

This text is different from the many introductory digital design texts, because we actually design a product by implementing a design and not just talk about logic circuits used in a digital circuit. And, we ask you to work hard doing experiments so that you acquire real world experience with commercially available digital circuits. In other words this is about real learning.

We start at the beginning by presenting a top down design method for digital systems.

We learn about three basic tools necessary to execute any digital design - Truth Tables, Karnaugh maps, and Switching Algebra.

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The ASM (algorithmic state machine) chart, a fourth tool, is the preferred way to implement the algorithm representing the product you want to design. We show how to implement ASM charts, derive truth tables from them, and how to convert the truth tables to digital circuits. The ASM-chart-to-product process is straightforward.

The design of complex building blocks with memory is based on elementary blocks with one bit memory also known as flip-flops. Designs are implemented by the ASM method. We show how to use ASM’s to design up and up/down synchronous counters, shift registers, and linear feedback shift registers using standard products.

This is followed by showing how to design memory systems with and without a cache hierarchy. We explain, and then show how to add error correction and control to the memory system. ASM charts and associated timing diagrams allow us to readily implement the designs. These are charts and timing diagrams we have not found anywhere else.

A computer has two basic parts – computer control and a datapath for executing instructions. We define a user instruction set (uI), the uI address modes, and how the uI are formatted as binary words. Status bits NCZV and their condition codes that implement program control are defined. We show how each uI is represented by a list of micro instructions mI that is executed by the datapath, and how the datapath executes the mI.

For large circuit designs text capture of digital designs is preferred to schematic capture. Verilog uses text capture to represent digital circuits with a hierarchy of modules that are interconnected via input and output ports. We show by example how to write modules defining digital circuits so that you can move on to multi 1,000 gate chip designs using Verilog, which is a hardware description language (HDL).

The presentations are eminently clear, because they are based on the policies assume nothing and nothing is obvious.

The present text's contents are topics one actually uses when engaged in digital circuit analysis and design.

Eight experiments are included that give life to the text’s contents, and provide the reader with real world experience with making measurements, using instruments, and learning about all kinds of parts. We consider the experiments to be significant learning activities.

• Sales Rank: #452184 in Books
• Published on: 2014-06-25
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .72" w x 6.00" l, .91 pounds
• Binding: Paperback
• 318 pages

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[D847.Ebook] PDF Ebook Guilt About the Past [Paperback] [2010] (Author) Bernhard Schlink, by Bernhard Schlink

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• Published on: 2010
• Binding: Paperback

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3 of 5 people found the following review helpful.
Bernhard Schlink From the Podium
By Grady Harp
For those readers captivated by the extraordinary prose and gift for relating involving stories ('The Reader', 'Flights of Love: Stories', 'Self's Punishment', 'Self's Deception', 'Homecoming', 'Self's Murder') this book of essays from the writer who also happens to be a professor law. Presented as a series of lectures in 2008, they are such fine reading and deserve publication in book form. These six short but pungent essays explore Guilt - both as a personal feeling and as a collective shroud. Grouped together they comprise some of the more enlightening book on the subject, using of course the German people and the aftermath of WW II.

In both his introduction and the first essay Schlink appropriately delves into history going back to the 1300s when law were in force that punished members of families for something one member of a family did; entire families could be by law put in a sack and drowned for the malfeasance of one person. He then rather quickly reminds us of the collective guilt of the British in India, of Americans and slavery, of Canadians and First Nations and so on. According to Schlink 'when some members of a collective commit crimes, its other members have a duty to identify them and expel them from the group. If they don't, they become "entangled" in the perpetrators' crimes and share their guilt; the behavior of the few is then credited to the many. After 1945, Germans should have identified the Nazis in their midst and severed ties with them. When they didn't - when they preferred to forget Nazism - they became guilty as a collective for what had been done.' It is the courage to accept the past and at the same time investigate how to restore pride in a nation bludgeoned by the world for atrocities for the past.

Schlink discusses moral consequences in his fourth essay addressing how ridiculous for politicians to apologize for things done in the past 'when it's not them who should bear any guilt for anything, and perhaps those being apologized to are not there to offer forgiveness. Given racial slaughters, of course, some reconciliation is always beneficial.' When members of a collective (such as Germany in WW II) commit crimes as in the Holocaust it is the onus, the obligation to identify the perpetrators and segregate them from the collective: those who did not come forth share the guilt and become equally guilty as a collective.

In the final chapter of this book the author addresses the books and films that he believes to be accurate and responsible and also points out those he considers inferior and misleading. Being a writer of one of the more popular of these books gives him an edge in critiquing the writings of others. And even in this role Bernhard Schlink remains a figure of fairness, a man of opinions that matter. This book is a reliable survey of Guilt about the Past, whether that be counted in centuries, in decades or in days. It is pertinent information for us as well as a fine documentation of the philosophy of collective guilt. Grady Harp, June 11

16 of 18 people found the following review helpful.
"For my generation the past is still very present... "
By Friederike Knabe
... states Bernhard Schlink, internationally known primarily for his novel The Reader (Movie Tie-in Edition) (Vintage International), in the second of his six thought-provoking essays on "Guilt about the past". A highly respected jurist and law professor (emeritus) in Germany, he presents a number of philosophical arguments intended to advance the important debate on guilt about the past and its profound influence on all who follow, whether individuals, institutions or states and, whether directly associated with the perpetrators or the victims. Conscious of the criticism he received for his novel, his last essay, "Stories about the Past", touches on literature and other media. In the broader context he acknowledges that "his fiction and much of German literature has guilt about the past as a strong leitmotiv."

Throughout his essays, Schlink introduces a number of fundamental concepts that have characterized the debate about past guilt, especially since the end of the Third Reich and the Holocaust. Central for the first post-war generation and those since, are the concepts of 'collective guilt', 'mastering the past' (which is the author's translation for the German term "Vergangenheitsbewältigung" that has no equivalent term or phrase in English or in French), and 'reconciliation'. He explains these concepts in their context, aiming at a broad-based understanding of their application. For understandable reasons, his illustrations are taken from his own personal experience and professional background.

Starting out by setting the historical and legal frameworks, Schlink, in concise and accessible language, goes back to ancient Germanic law as well as other tribal legal systems. Then, the commonly applied understanding of "collective guilt" incorporated the two clans to which the individual perpetrator and the victim(s) belonged. The penalty or revenge for any injustice committed applied to the whole clan. It was the victim's clan that made the claim for atonement money. "This collective responsibility, liability, and atonement operated through all levels of society and affected adults as well as children". Children could be drowned with their guilty parents.

Over time, the concept of collective guilt and responsibility has faded and, by the time of the Enlightenment, had been replaced by the understanding of "subjective and individual guilt". Despite the individualization of crime and punishment Schlink posits that family or community remain closely associated with the perpetrator(s), unless they disassociate themselves from them and repudiate the criminal action. The author expands on the meaning of "solidarity of belonging" that affects the behaviour of the children and even the people in the same country of those guilty of the crimes. The concept of collective guilt is defined within this context and Germany after the Third Reich stands as a clear example for it. This analysis, he admits, has not necessarily been accepted readily by Germans of his generation. Nonetheless, especially Germans living outside their home country have been confronted with the notion of Germans' collective guilt for Nazi atrocities that their parents or grandparents may, or may not, have committed during that time. His arguments on the varied ways by which Germans have been implicated over several generations in the crimes of their parents are profound and convincing. They do not allow to take the easy route that many had preferred and embarked on following the collapse of the regime in 1945. We are, as Schlink contends "the generation [for whom] the past is still very present..."

Especially of importance to me, as a close contemporary of the author, is Schlink's analysis of the notion underlying the term "mastering the past" (Vergangenheitsbewältigung). Having grown up with this concept hanging over all of us, the more positive connotation of the English phrase was new and highly relevant to me. His contention implies an active process that has to be worked through, yet that, with effort, will end in a satisfactory conclusion, where the past has in fact been "mastered". Such a process will "bring the past into such a state of order that its remembrance no longer BURDENS [my emphasis] the present." While we as the descendants of the perpetrators have to come to terms with their guilt and our relationships to them, the descendants of the victims will have to go through a different, yet comparable, generational process. In this context, Schlink very persuasively argues the difference between remembering as opposed to forgetting or repressing. While he, understandably, relates his arguments to the Holocaust and the Third Reich, his positions are far reaching and much more widely applicable.

His central essay, "Forgiveness and Reconciliation", is for me the most critical as it addresses the future relationships between descendants of perpetrators and those of victims over the next generation(s). It deserves to be read and absorbed slowly and deeply. He discusses such issues as the transference of guilt to another generation, the "political ritual" that often accompanies forgiveness of actions in the past, committed by a previous generation, the need and potential for reconciliation, whether in the private or public spheres. "The perpetrator's children cannot ask for forgiveness [...] neither can the victim's children grant it. They are not each other's victim or perpetrators." However, he contends, they can reconcile. "Reconciliation means that further attempts to coexist should no longer fail on account of guilt and recrimination."

Based on a lecture series held at Oxford University in 2008, Schlink's six essays provide insights and arguments for an deeper assessment of own positions and behaviours when we ask ourselves how we and societies as a whole can learn from the events and mistakes of the past not to repeat them. He provides challenging ideas on how the past can be reflected in our thinking for better coexistence between individuals, communities and nations and, last not least, how this thinking can influence our literature and other fictional media. [Friederike Knabe]

4 of 5 people found the following review helpful.
`The past is unassailable and irrevocable.'
By Jennifer Cameron-Smith
The six essays contained in this book were originally presented as the Weidenfeld Lectures by Bernhard Schlink at Oxford University in 2008. Bernhard Schlink is a professor of law, and a writer. Professor Schlink explores the phenomenon of guilt based on the German experience after World War II.

`The lesson we drew from the past was a moral one rather than an institutional one.'

Professor Schlink argues that when some members of a collective commit crimes, other members have a duty to identify and exclude them. By not doing so, they become caught in the crimes themselves and share their guilt. However, responsibility for not punishing a crime is not the same as being responsible for the crime in the first place and this guilt should be confined to their inaction about identifying and expelling Nazis not an assumption of the guilt for the original actions of the Nazis.

This is an important distinction: it is up to the original perpetrators to seek (and perhaps be refused) forgiveness. Those who were not directly involved cannot be contrite for acts they did not commit. The children of perpetrators may not owe the children of victims an apology but respect is essential. How else is it possible (and it is surely desirable) to seek reconciliation as a way of acknowledging and moving on from the past.

These six brief essays raise a number of different issues, perspectives and possibilities, including:
How does the legacy of the past impact on different generations?

Can the past be dealt with through law, is retroactive punishment a possibility? (And, should it be?)

What are the problems surrounding literary representations of the past, especially fictional treatments of the Holocaust?

I found these essays thought-provoking and far broader in application than to post-war Germany. We each live in some form of tribal society and thus thinking about the possibility of collective guilt in some circumstances and its consequences is worthwhile.

`The future of the presence of the past is history.'

Jennifer Cameron-Smith

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[X882.Ebook] PDF Ebook Day Use: Sex, Secrets and Stories, by Dalia Rosenfeld

PDF Ebook Day Use: Sex, Secrets and Stories, by Dalia Rosenfeld

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A thrilling novel spiced with erotica that represents the story of Dalia Raz, a successful ceramics artist who suddenly becomes a widow after her husband is killed by a mysteries explosion in the factory he worked in. In her despair, she decides to change and rehabilitate her life from her disaster. She turns her life upside down and opens a business for day use renting rooms by the hour for intimacy purposes. In parallel, she begins searching for the truth regarding her husband’s death and a series of explosions in secret military facilities. She refuses to believe that the series of explosions is random, but discovers nothing. Her new unorthodox job exposes her to a new, intriguing world. She collects funny, tragic and dramatic stories about her guests’ sex lives in her deluxe rooms; stories about sex, cheating and forbidden relationships. She writes about her experiences and publishes a book about it. Her new fascinating life exposes the reader to amusing and even occasionally frightening stories. The book also sheds light on Israel’s nuclear secrets. The ending is surprising and unpredictable. The story is based on real life events; although names have been changed to avoid privacy invasion.

• Published on: 2015-02-13
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .51" w x 5.50" l, .59 pounds
• Binding: Paperback
• 226 pages

Most helpful customer reviews

4 of 4 people found the following review helpful.
I enjoyed the book from cover to cover
By Melissa Corbeil (Inspired Leo Goddess)
Day Use was a very intriguing read. I do have to admit I thought it was going to be erotica. Instead, it was a story of intrigue and mystery that had me giggling to myself quite a bit.
Dalia, unexpectedly a new widow, sets out to find a new "normal" after her husband's sudden death.
Day Use is Dalia's story of her road to self discovery and becoming the woman she was meant to be.
I found this book very clever and tasteful. I enjoyed the book from cover to cover.
This story is based on true events and I enjoyed the glimpse into Isreal's nuclear secrets. I found this fascinating.
The author is a former reporter and media worker who actually runs a Day Use facility.
The entire concept of Day Use, an establishment made for couples to be able to retreat and have intimate relations that they can rent for as little as a couple hours is an interesting one. I love that she elaborates that, while it is an easy assumption to make, not all her patrons are being unfaithful. Couples with young kids also use Day Use to keep the excitement alive in their marriage.
Dalia's life is not entirely about Day Use. She finds herself being an investigator and detective along the way.
This was truly an enjoyable read.
*I received this book in exchange for an honest review. All opinions are my own and I was not compensated for them.

3 of 3 people found the following review helpful.
Good Book
By Mrs.Apgar
This book intrigued me in the way the author details real life events. I think that’s one aspect of it that caught my attention in reading this book. I read the preview and I was captivated. I like books that are based on real life events. The main character lost her husband in a mysterious explosion and now she’s left alone and she has to find a way to “re-invent” herself and figure out what to do with her life. She figures that opening her own business is the best thing for her. She opens a Day Use facility (motel) renting rooms by the hour to couples so they can have a place where they can have intimacy. But just like you might guess not everyone is searching for that reconnection between spouses but more like a connection in general. The book is about Sex, unfaithfulness, forbidden love, and the mystery of her husband’s death is revealed.
The one thing that came to mind when I read this book was the T.V. Show Weeds. How a widow in despondency takes one idea that’s different and in some ways can be socially ridiculed and turns it around. Not everyone might agree with my comparison but I could not stop thinking about that one thing they share in common.
I read this book as part of a promotion, I received it for free, in exchanged I’m providing my honest opinion.

3 of 3 people found the following review helpful.
amazing book!
By Nicole MommaKauk
I loved this book. Just couldn't stop reading it. I finished this book in only a day and a half. Would have been sooner if I hadn't needed to sleep.

When her husband is killed in a mysterious blast Dalia needs to find a way to move on and deal with her grief. An old friend comes to show his respects and explains how he runs Day-use rooms in Japan. From there she is thrown into full swing, preparing and running. She also explains some of the hilarious situations which arise with her patrons.

This book is extremely well written with only minor grammatical errors. Her writing style makes you want to continue reading. The ending was also very satisfying. It flowed very well, once I got started reading I was pulled into Dalia's world. There was just the right amount of detail to let you imagine the surroundings without getting bored. I would gladly read ANY other books written by Dalia Rosenfeld!!

This was sent to me free of charge for an honest review.

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