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Painting as an Art, by Richard Wollheim
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In Painting as an Art, which began as the 1984 Andrew Mellon Lectures at the National Gallery of Art in Washington, D.C., philosopher Richard Wollheim transcended the boundaries and habits of both philosophy and art history to produce a large, encompassing vision of viewing art. Wollheim had three great passions--philosophy, psychology, art--and his work attempted to unify them into a theory of the experience of art. He believed that unlocking the meaning of a painting involved retrieving, almost reenacting, the creative activity that produced it.
In order to fully appreciate a work of art, Wollheim argued, critics must bring to the understanding of a work of art a much richer conception of human psychology than they have in the past: "Many [critics] . . . make do with a psychology that, if they tried to live their lives by it, would leave them at the end of an ordinary day without lovers, friends, or any insight into how this came about." Many reviewers have remarked on the insightfulness of the book's final chapter, in which Wollheim contended that certain paintings by Titian, Bellini, de Kooning, and others represent the painters' attempts to project fantasies about the human body onto the canvas.
Reviewing the book in the Los Angeles Times, Daniel A. Herwitz asserted that Wollheim had "done no less than recover for psychology its obvious and irresistible place in the explanation of what is most profound and subtle about paintings."
- Sales Rank: #403802 in Books
- Published on: 1990-02-26
- Original language: English
- Number of items: 1
- Dimensions: 1.18" h x 7.51" w x 10.20" l,
- Binding: Paperback
- 384 pages
From Publishers Weekly
Wollheim notes that De Kooning crammed his pictures with the infantile experiences of sucking, touching, biting, excreting and swallowing. The expressionist's violent paintings are about the body as locus of sensation and emotion; they remind us that, as children, we felt threatened by our own natural bodily functions. Penetrating insights like these pepper the difficult lectures presented here along with some 400 illustrations. Wollheim, a philosopher of esthetics, offers a psychological theory of how pictures transmit meaning: artists act as agents, inducing in the mind of the spectator the mental states that compel them to paint. The author's favorites include Manet, Picasso, Titian, Bellini, Ingres, Poussin. These essays will help readers identify the unrepresented "internal spectator" lurking in some pictures; with other paintings, one discovers how the artist wanted the external spectator to feel. Wollheim delivered this set of lectures at the National Gallery of Art.
Copyright 1987 Reed Business Information, Inc.
From Library Journal
Originally presented as the A. W. Mellon Lectures in the Fine Arts for 1984, this collection of essays focuses on Wollheim's psychological account of painting, in which he argues that two elements are important: the artist's mental state, which causes him to paint what he does, and the experiences the painting evokes in the viewer. Aesthetic theories centering on meaning as a core element in determining aesthetic value have had rough going because of the difficulty in knowing or interpreting what an artist "means" or "intends." Yet Wollheim presents his case well. This is substantial, at times difficult, reading, but a definite contribution to the philosophy of art. Highly recommended. Terry Skeats, Bishop's Univ. Lib., Lennoxville, Quebec
Copyright 1988 Reed Business Information, Inc.
Review
"There are books aplenty on painting and art, but this is the first to explain seriously what makes painting an art, and it is our good luck to have it from a notable philosopher who is also on an intimate footing with the tradition of Western painting and who knows how to stand in front of a painting and spin tales that sparkle with truth. . . . Mr. Wollheim's interpretations are bold, revisionary and cogent. Only a philosopher of his rare gifts, and a connoisseur with his command of the art-historical tradition, could possibly have the confidence to bring off his feat of virtuoso interpretation."--Flint Schier, New York Times Book Review
"It is one of the achievements of Richard Wollheim's superb book that it offers an extremely subtle sense of the mind's functioning, while providing a theory of critical relevance: it shows how psychological and cultural factors enter a painting's content, and how arguments on relevance can be conducted in difficult cases."--Michael Podro, The Times Literary Supplement
Most helpful customer reviews
10 of 12 people found the following review helpful.
Classic must read about painting
By P. Nagy
Painting as Art by Richard Wollheim (Princeton University Press) provides the first sustained discussion of the complex of perceptions, design, pigments, biography, social history, and lived experience that becomes the experience of a painting as a work of art. Wollheim is well conversant with the philosophical issues while bringing a depth and expertise to the appreciation of the art and craft of painting within both broad historical contexts and the minutiae of a particular artist and this unique painting. So that what he says about any painting becomes a phantasmagoria of informed facts and conjectures that is a marvel approaching Keats' truth, beauty; beauty, truth. Wollheim's interpretations are intrepid corrections of received wisdom and well-argued virtuoso interpretations. His scientist's appreciation of the subtle effects of perception blends well with an informed style; not an easy read, but one likely to educate one's sensibilities anew.
5 of 6 people found the following review helpful.
Keynote Book on The Art of Painting
By R. J MOSS
There is a wealth of crunchy cake to digest in Wollheim's, Mellon Lectures, packaged here as, 'The Art of Painting'. If you are at all seduced by the act of painting, whether as a practitioner or as a spectator(painters fill both roles) the arguments and perceptions, so brilliantly and patiently elucidated, will nurture your eye. This is a resource book I've returned to over and again during the last decade, and that's a very high recommendation for any text. The reproductions are thoughtfully laid before us where and when they count against the writing. The insights on Bellini, Manet, and de Kooning in particular I found arresting and novel, pushing the boundaries at all times. The notion of appropriation, so relevant during recent decades, is cogently unravelled. Wollheim writes for,'Modern Painters' magazine and has books on psychology still in print. But this elegant book is the one that most nurtures me. For more on art visit>rodmoss.com
3 of 3 people found the following review helpful.
Painting: what sublime Art
By Hiram Gòmez Pardo Venezuela
What makes this book so delightful and passionate to read, is the enormous enthusiasm and febrile cogence of the author in order to explain seriously what makes painting an art, a philosopher who has dared to make a real journey around the tradition of the painting in the western hemisphere.
An admirable essay plenty of invaluable, conveying and mesmerizing information that will engage you from start to finish.
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